Medusa as represented in the film Clash of the
Titans (1981)
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“Men do not simply
look; their gaze carries with it the power of action and of possession.” (Bowers. Spring 1990. NWSA Journal p.217)
Perhaps asking this question may seem obvious remembering the fearsome
eyes of Athena and Medusa. However observing the many aspects of
ancient Greek religion, the answer is not as straight forward as it may appear.
It could be claimed that that no male deity’s gaze could match the fatal
eyes of Medusa. Although Zeus's lighting was said to blind the Titans with its
"flashing glare." (Hesiod. Theogony. 687) Indeed it seems that
women were attributed with a powerful gaze in the classical world. Cicero
remarked that women with double pupils in one eye, were capable of killing
those they looked at. Cited from Pliny, he seems to support this by claiming
the existence of such women In Scythia. (Pliny. The Natural History. Book VII
.Chapter 2. 26+29)
Several academics have used the Medusa as a symbol of female power.
Bowers suggested that the power of Medusa (hence women) was essentially in the
head. Bowers points to an image of a beheaded woman, which ceases to be
threatening. (Spring 1990. NWSA Journal p.218) Supporting the image of female
power residing in the head, Kerenyi writing in 1969 pointed out that the same
weapon; a sickle was used to castrate Cronus as it was to behead the Medusa.
(cited in Root.2007 p.22) It could be argued that just as Cronus’s“male”
attributes were a threat to Gaia so the Medusa’s “female” attribute, her eyes
were also a threat.
However some of these academics in their need to
present the Medusa both as a epitome of female prowess and as a victim of a
Patriarchal overthrow, largely ignore cases in which powerful women were
respected and supported. It is clear that these female deities had
“masculine”qualities as well. One example is the description of the eyes.
Kyanopis was a description for downcast or dark eyes and often
associated with the female ideal, so seen as perfect for Aphrodite. Even then
the ideal “female”eyes could be seen as deadly as Kyaneos was associated with
snakes, the gaze of which according to Aischylos was deadly. The snake itself
was connected to the underworld and Hades. On the other Glaukopis seem to be
the opposite of Kyanopis, descriptions of it suggest brightness or constant
movement. This description is given to Athena and could be describe as
“masculine” as its attributes were also the opposite of Kyanopis. The Glaukopis
was associated with the owl, an animal of the air, not the earth. As argued in
a previous blog another masculine aspect of Glaukopis could be its connection
to the battlefield, where Glaukopis not only had terror accompany it but could
be seen as keeping observant and alert. However the differences shouldn't be
exaggerated, considering that Glaukopis could also be considered deadly. The owl
was also associated with death through its nocturnal habits and often placed on
gravestones.
So what were Medusa’s eyes? A clue could be the
attribute of being "Gorgon-eyed." 2nd century CE physiognomic writers described the brave as also having a
"moist gorgon’s gaze, large eyes,
not too wide open but not closed either…" (Cairns. 2005. Body Language
in the Greek and Roman World p.128) "Gorgon-eyed" or gorgopis was
also a description given to Heracles. There is also a case where Athena is
called "gorgon-eyed." Such description could connect it to the flashing,
brightness of the Glaukopis, considering its connection to bravery.
In conclusion it seems that although the deadliest
looks were attributed to women, both Medusa and Athena's gaze seems to be
considered a "masculine" attribute. Perhaps as a final point and a
return to feminist academics, it was the fact that a "male"
attribute could be so effectively controlled by women is what made them
threatening.
Bibliography
1.Bowers, S.R. Spring 1990. Medusa and the Female
Gaze. NWSA Journal Vol.2 No.2 pp.217-235
2. Cairns, D. 2005. Bullish Looks and Sidelong
Glances: Social Interactions and the eyes in Ancient Greek Culture. Body
Language in the Greek and Roman Worlds. pp.123-155
3. Deary and Villing. 2009 What was the colour of
Athena's aegis? Journal of Hellenic Studies 129 pp.111-129
4. Hesiod. Theogony. http://www.perseus.tufts.edu/hopper/text;jsessionid=FC65FC589FC3FD2DA7ADB0350314F371?doc=Perseus%3Atext%3A1999.01.0130%3Acard%3D687
5. Pliny. The Natural History. Book VII. Chapter 2.
http://www.perseus.tufts.edu/hopper/text?doc=Perseus%3Atext%3A1999.02.0137%3Abook%3D7%3Achapter%3D2
6. Root. I.B. 2007. Redeeming the Gorgon: Reclaiming the Medusa
Function of Psyche.
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